{"id":4053,"date":"2025-11-21T16:29:07","date_gmt":"2025-11-21T16:29:07","guid":{"rendered":"https:\/\/joycefoundation.ch\/?page_id=4053"},"modified":"2025-11-25T13:46:16","modified_gmt":"2025-11-25T13:46:16","slug":"the-hans-e-jahnke-bequest","status":"publish","type":"page","link":"https:\/\/joycefoundation.ch\/de\/library-research\/bequests\/the-hans-e-jahnke-bequest\/","title":{"rendered":"The Hans E. Jahnke Bequest"},"content":{"rendered":"\n
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Date of inventory: 4 August 2006<\/em><\/figcaption><\/figure>\n<\/div>\n\n\n\n
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Parts of the Hans E. Jahnke Bequest at the Zurich James Joyce Foundation (i.e. the letters by Joyce) can be viewed online at the National Library of Ireland<\/a>. <\/strong>The contents of the Hans E. Jahnke Bequest to the Zurich James Joyce Foundation of 31 March 2006 are listed below (download PDF<\/a><\/strong>).<\/p>\n\n\n\n

1. LETTERS<\/strong><\/summary>\n
1.1. <\/strong><\/em>Letters and cards from Joyce ca. 34 postcards signed (23 to Giorgio)<\/em><\/strong><\/summary>\n
    \n
  • ca. 50 letters (37 to Giorgio)<\/li>\n\n\n\n
  • 1 handwritten card to Giorgio, dated 28.7.33, end of communication missing<\/li>\n\n\n\n
  • 1 half-sheet extract from a letter by Joyce, 12.7.1932 (on medical consultation with Prof. Vogt)<\/li>\n\n\n\n
  • 3 handwritten additions to letters received from others<\/li>\n\n\n\n
  • 2 undated notes<\/li>\n\n\n\n
  • 24 typed copies of (already published) letters to Grant Richards<\/li>\n<\/ul>\n<\/details>\n\n\n\n
    1.2. Letters and cards to Joyce<\/em><\/strong><\/summary>\n
      \n
    • 1 from Giorgio and Helen, with a note added from Lucia 18.8.1931<\/li>\n\n\n\n
    • 1 from Giorgio and Helen (on stationery \u201cMrs. George Joyce\u201d), 20.3.1935, \u201cCari Genitori\u201d, 10 pages<\/li>\n\n\n\n
    • 1 from Helen Joyce: \u201cHolmsickness\u201d [sic]<\/li>\n\n\n\n
    • 1 from Lucia, July 1940, with a note from Dr Kahas (?)<\/li>\n\n\n\n
    • 108 from Sylvia Beach (letters & postcards)<\/li>\n\n\n\n
    • 29 from Louis Gillet<\/li>\n\n\n\n
    • 1 postcard from Samuel Beckett<\/li>\n\n\n\n
    • 1 letter from Samuel Beckett, 13.1.1940<\/li>\n\n\n\n
    • 1 fragment of a typed letter [1 July 1924], last sheet with final sentence and P.S. in ink, signed by W.B. Yeats, 5 July 1924. First page at Buffalo<\/li>\n\n\n\n
    • 1 postcard from Silvia Tripcovich, 28.7.1920<\/li>\n\n\n\n
    • 1 from Mrs Louise Gebhard Cann Janaka, 5.12.1920<\/li>\n\n\n\n
    • 1 letter on \u201cAmerican Express London\u201d stationery, signed \u201cLight\u201d [Jimmy Light], 3.1.1922<\/li>\n\n\n\n
    • 1 from someone [James Valentine] living at 53 Blessington Street, Dublin, about Joyce\u2019s father, 1.7.1929<\/li>\n\n\n\n
    • 1 from Kathleen Imhof (Alfred Imhof Limited), 28 July 1931<\/li>\n\n\n\n
    • 2 from Rhein-Verlag re: Frankfurter Zeitung 10 and 12 August 1931<\/li>\n\n\n\n
    • 1 fragment of a letter, on stationery \u201cHotel Martha Washington\u201d, 17.11.1931<\/li>\n\n\n\n
    • 1 from Literature of the World Revolution USSR, 17.9.1932, signed by secretary of English edition H. Romanova<\/li>\n\n\n\n
    • 1 postcard from Bernard Fehr, 4.4.1933<\/li>\n\n\n\n
    • 1 from J John Munson (?), 15 May 1934<\/li>\n\n\n\n
    • 1 sender not identifiable, 22, Avenue Mozart, XVIe, 17 \u2026 1934<\/li>\n\n\n\n
    • 1 from Angela et Helena, on children\u2019s stationery<\/li>\n\n\n\n
    • 1 postcard from Copenhagen, sender? (stamp torn out)<\/li>\n\n\n\n
    • 1 sender as yet unidentified, on stationery \u201c19, Great Cumberland Place [London] W.1.\u201d, 16 June ( 2 sheets)<\/li>\n\n\n\n
    • 1 sender not identifiable, stationery \u201cHotel Royal Grande Bretagne\u201d<\/li>\n\n\n\n
    • 1 last part of a letter, typed, in French, signature not identified<\/li>\n<\/ul>\n<\/details>\n\n\n\n
      1.3. Other letters and cards<\/em><\/strong><\/summary>\n
        \n
      • 1 to Nora from Ezra Pound, 14.1.1919<\/li>\n\n\n\n
      • 1 card to Nora, sender as yet unidentified, 23.3.1928<\/li>\n\n\n\n
      • 1 to Nora from Prof. Vogt, condolence card 14.1.1941<\/li>\n\n\n\n
      • 1 to Nora from Othmar and Hilde Schoeck 15.1.1941<\/li>\n\n\n\n
      • 1 to Nora from Stanislaus, 16.1.1941<\/li>\n\n\n\n
      • 1 from Nora to British Consulate General, 10.3.1941 (2 carbon copies)<\/li>\n\n\n\n
      • 1 card to Nora from Marguerite Sullivan, 31.8. (no year)<\/li>\n\n\n\n
      • 1 card to Nora from Marguerite Sullivan, lundi (no year)<\/li>\n\n\n\n
      • 1 card to Nora from Mary and family, Xmas card<\/li>\n\n\n\n
      • 1 to Giorgio from Gustav Zumsteg plus photocopies of 5 Joyce letters to Zumsteg, including 2 letters from Gustav Zumsteg to Joyce in 1940 re Swiss Consulate<\/li>\n\n\n\n
      • 1 to Giorgio from Alfred Kastor, 13.1.1941<\/li>\n\n\n\n
      • 1 to Giorgio from Worthington Evans Dauney, 17.6.1942 (copy)<\/li>\n\n\n\n
      • 1 to Giorgio from Charles Jucker, Zurich attorney, 25.7.45 accompanying letter by Carola Giedion-Welcker (see next item)<\/li>\n\n\n\n
      • 1 (2 sheets) to Mr. Jucker from Carola Giedion-Welcker, 21.7.1945, about Nora and Giorgio re death mask, typed copy<\/li>\n\n\n\n
      • 1 [to Giorgio] from Munro, Saw & Co., 1946<\/li>\n\n\n\n
      • 1to Giorgio, sender unknown, 19.6.1951, newspaper clipping attached<\/li>\n\n\n\n
      • 1 to Giorgio from Helen, 20 July 1952 (2 sheets, recto and verso, typed, with envelope)<\/li>\n\n\n\n
      • 1to Giorgio, Faber & Faber letter from T. S. Eliot, 22.10.1953, with typed English translations of Marthe Fleischmann\u2019s letters (carbon copy)<\/li>\n\n\n\n
      • 1 to Giorgio from Marc Amsler (Uni Augenklinik), congratulating him on his wedding, 30 May 1954<\/li>\n\n\n\n
      • 1 to Giorgio and Asta from Samuel Beckett, 13.10.1955<\/li>\n\n\n\n
      • 1 to Giorgio and Asta from Samuel Beckett, 21.10.1955<\/li>\n\n\n\n
      • 1 to Giorgio and Asta from Samuel Beckett, 21.11.1955<\/li>\n\n\n\n
      • 1 to Giorgio and Asta from Samuel Beckett, 25.12.1955<\/li>\n\n\n\n
      • 1 to Giorgio and Asta from Samuel Beckett, 5.5.1956<\/li>\n\n\n\n
      • 1 to Giorgio from Alfred Dutli, 15.12.1956<\/li>\n\n\n\n
      • 1 to Giorgio from Robert N. Kastor, 27 May 1958<\/li>\n\n\n\n
      • 1 copy of letter from Stephen to Bob [Robert N. Kastor], 29 June 1958, sent to Giorgio<\/li>\n\n\n\n
      • 1 to Giorgio from Bob [Robert N. Kastor], 6 July 1958<\/li>\n\n\n\n
      • 1 to Giorgio from Stephen, including envelope<\/li>\n\n\n\n
      • 1 to Giorgio from J. Schwartz, American university library agent, 30.10.1965 (inquiring re purchase of Joyce mss) with envelope<\/li>\n\n\n\n
      • 1 to Giorgio in Munich, from Lee Nordness, Hammamet, Tunisia, 21 July 1965<\/li>\n\n\n\n
      • 1 to Giorgio in Munich, from W.L. Webb, The Guardian, Manchester, 14 July 1967<\/li>\n\n\n\n
      • 2 postcards to Lucia, from senders as yet unidentified<\/li>\n\n\n\n
      • 1 to Sylvia Beach, 3 folded sheets, handwritten on stationery \u201c400 East 57th Street\u201d, signed Toni [Martha (Toni) Hughes]<\/li>\n\n\n\n
      • 1 to Prof. Vogt from Georges Borach, 25 April 1930 (2 sheets)<\/li>\n\n\n\n
      • 1 letter re \u201cforficula\u201d (FW 18.11; earwicker) possibly from a curator at the Natural History Museum, London, to someone unidentifiable<\/li>\n\n\n\n
      • 1 half sheet \u201cJohn McCormack Telegramm\u201d handwritten draft; not in Joyce\u2019s hand<\/li>\n\n\n\n
      • 1 empty air mail envelope: from John J. Slocum to Maria Jolas, 5.6.1947<\/li>\n\n\n\n
      • 1 empty envelope from nrf (nouvelle revue fran\u00e7aise) to Paul L\u00e9on, 18.5.1941<\/li>\n\n\n\n
      • 1 empty envelope to Madame Jolas, 20.7.1946<\/li>\n\n\n\n
      • 1 empty envelope to Giorgio, Pension Seeblick, Falkenstrasse 12, Zurich, from L. Abraham & Cie. Soieries, S.A., Zurich<\/li>\n\n\n\n
      • 1 empty envelope to Giorgio, from Milton Hebald, Rome, postmark 5.5.1966<\/li>\n<\/ul>\n<\/details>\n<\/details>\n\n\n\n
        2. WORKS<\/strong><\/summary>\n
        2.1. Finnegans Wake<\/em><\/strong><\/summary>\n
          \n
        • pages 61-74 FW I.8: \u201cFrom Work in Progress\u201d, Navire d\u2019Argent (October 1925)<\/li>\n\n\n\n
        • \u201cAnna Livia Plurabelle\u201d (Higginson Text D)<\/li>\n\n\n\n
        • 3 FW I.8: early typescript of the end of \u201cAnna Livia Plurabelle\u201d<\/li>\n\n\n\n
        • 4 FW I.8: \u201cAnna Livia Plurabelle\u201d in Basic English (C.K. Ogden), typed, with handwritten emendations and additions in Ogden\u2019s hand<\/li>\n\n\n\n
        • 10 FW I.8: Italian translation of \u201cAnna Livia Plurabelle\u201d (typed)<\/li>\n\n\n\n
        • 11 FW II.2, opening and closing pages (260\u2013275.02 and 304.05\u2013308):<\/li>\n\n\n\n
        • transition 23 (Jul 1935) pp 110-128, \u201cWork in Progress\u201d; with 1 addition in Joyce\u2019s hand.<\/li>\n\n\n\n
        • 8 + 5 FW II.2 (275.03ff and 279.09ff): carbon copies of typescript in 2 parts, with a few handwritten additions ( text of 278.25\u2013279.09 is missing).<\/li>\n\n\n\n
        • 1 FW II.2, 276F + 278F: \u201cIntermission. Tezch me how to carve deer\u2026\u201d, typed, some of it crossed out in green pencil and used for footnotes.<\/li>\n\n\n\n
        • 1 FW II.2, 281.14\u201327: \u201cMargaritomancy\u201d written in Joyce\u2019s hand, with footnotes + marginal right<\/li>\n\n\n\n
        • 1 FW II.2, 280+281: Notes \u201cfor Edgar Quinet\u201d, partly typed and partly in Joyce\u2019s hand.<\/li>\n\n\n\n
        • some footnotes to p 281 and marginals left to 280 and 281<\/li>\n\n\n\n
        • 21 FW II.3, pp. 310\u201321. FW notebook material in Joyce\u2019s hand (pencil and colour). Some sheets are large, and folded > a total of 59 pages.<\/li>\n\n\n\n
        • 15 + attach\u00adments FW II.3 (\u201cButt & Taff\u201d, pp 338ff) galley proofs, with corrections + additions (typed), for transition 27 (Apr\/May 1938). 1 or 2 galleys for this transition passage are missing.<\/li>\n\n\n\n
        • 1 FW II.3: \u201cButt. Ahamaher! Mohorear\u201d, in sb else\u2019s hand, unused notes (except for \u201cdovesandraves\u201d, 363.07)<\/li>\n\n\n\n
        • 4 + 5 FW III.3, 532.06 \u2013 554.20<\/li>\n\n\n\n
        • 8 pages from transition 15 (Feb 1929), pp. 231-38 (\u201cCity passage\u201d from \u201cHaveth Childers Everywhere\u201d)<\/li>\n\n\n\n
        • 5 large folded sheets, or 20 pages, of additions mostly in Lucia\u2019s hand<\/li>\n\n\n\n
        • 3 FW III.3: notes on \u201cCity passage\u201d (pp 532 ff) in another\u2019s hand, on St Gotthard Hotel [Z\u00fcrich] stationery, signed by Joyce (April 1930)<\/li>\n\n\n\n
        • 2 FW IV (604.27ff and 605.04\u2013606.12): \u201cof Kevin, of Increate God the servant\u201d; typed<\/li>\n\n\n\n
        • 1 \u201cTwo kinds of monism\u201d, sheet numbered \u201c4\u201d, (in sb else\u2019s hand)<\/li>\n\n\n\n
        • 2 \u201cTim Finigan\u2019s Wake\u201d (typed) with Joyce\u2019s handwritten note<\/li>\n<\/ul>\n<\/details>\n\n\n\n
          2.2. Ulysses<\/em><\/strong><\/summary>\n
            \n
          • 1 \u201cCirce\u201d sheet in the hand of Cyprian Beach (Sylvia Beach\u2019s sister): 15.3950ff<\/li>\n<\/ul>\n<\/details>\n\n\n\n
            2.3. Poetry<\/em><\/strong><\/summary>\n
              \n
            • 1 The Holy Office (signed by James Joyce, Paris 16.11.1929)<\/li>\n\n\n\n
            • 2 Epilogue to Ibsen\u2019s Ghosts(in Joyce\u2019s hand and signed, 18.4.1934, Z\u00fcrich)<\/li>\n\n\n\n
            • 2 Epilogue to Ibsen\u2019s Ghosts (typed)<\/li>\n\n\n\n
            • 3 \u201cA Portrait of the Artist as an Ancient Mariner\u201d (typed, 3 carbon copies)<\/li>\n\n\n\n
            • 1 \u201cEcce Puer\u201d, 15 January 1932 (Joyce\u2019s hand)<\/li>\n\n\n\n
            • 1 \u201cEcce Puer\u201d, 15 January 1932 (typed, carbon copy)<\/li>\n\n\n\n
            • 1 \u201cEcce Puer\u201d, 15 January 1932, with French translation (typed, carbon copy), type-signed \u201cJ.J. 1940 St G\u00e9rand-le-Puy\u201d<\/li>\n\n\n\n
            • 1 \u201cA Flower Given to my Daughter\u201d (Joyce\u2019s hand; signed JJ)<\/li>\n\n\n\n
            • 1 \u201cOn the Beach At Fontana\u201d (Joyce\u2019s hand; signed JJ)<\/li>\n\n\n\n
            • 1 \u201cSulla Spiaggia a Fontana\u201d (perhaps Joyce\u2019s own Italian translation; Joyce\u2019s hand; signed JJ)<\/li>\n\n\n\n
            • 1 \u201cStephen\u2019s Green\u201d, plus French translation (typed, with hand written note by Joyce)<\/li>\n\n\n\n
            • 1 \u201cStephen\u2019s Green\u201d and Italian translation (typed)<\/li>\n\n\n\n
            • 1 \u201cStephen\u2019s Green\u201d translations: German, Latin, Danish?, Italian, French (typed)<\/li>\n\n\n\n
            • 1 \u201cDes Weibes Klage\u201d by Felix Beran and English translation by Joyce (typed, carbon copy)<\/li>\n\n\n\n
            • 1 \u201cAlone\u201d and \u201cBahnhofstrasse\u201d (carbon copy)<\/li>\n\n\n\n
            • 1 \u201cBuy a book in brown paper\u201d (typed) signed by Joyce<\/li>\n\n\n\n
            • 1 \u201cHelen who complains of Thinness\u201d, original limerick (typed)<\/li>\n\n\n\n
            • 1 Parody \u201cOff to Copenhagen\u201d<\/li>\n<\/ul>\n<\/details>\n<\/details>\n\n\n\n
              3. OTHER DOCUMENTS<\/strong><\/summary>\n
              3.1. Literary<\/strong><\/em><\/summary>\n
                \n
              • 132 sheets \u201cScenario and Continuity\u201d by Jerry Reisman and Louis Zukofsky, film script adapted from Ulysses (carbon copy)<\/li>\n\n\n\n
              • 6 sheets preface by Stanislaus Joyce to a work by Italo Svevo (typed)<\/li>\n\n\n\n
              • 4 double sheets adaptation of the beginning of Anna Livia Plurabelle for the stage<\/li>\n\n\n\n
              • 1 small sheet handwritten list (recto and verso), not in Joyce\u2019s hand, of Japanese dishes<\/li>\n\n\n\n
              • 1 folded sheet \u201cNayna u [?] Mesnuna\u201d, containing 2 sheets in handwritten ?Russian, one of them recto and verso<\/li>\n\n\n\n
              • 2 small thick sheets probably torn out of an exercise book; list of the word \u201cdeath\u201d in various languages, one of them recto and verso<\/li>\n\n\n\n
              • 10 sheets supposed interview with Joyce\u2019s father (Flann O\u2019Brien??)<\/li>\n\n\n\n
              • 2 sheets Mel Pamphlet No. 3, 1931 (in Japanese) with a passage from Telemachus, Ulysses, commented in Japanese<\/li>\n\n\n\n
              • 1 folded sheet with imprint (in capitals) \u201cStoriella as she is syung\u201d, otherwise empty<\/li>\n\n\n\n
              • 1 folded sheet with imprint (in capitals) \u201cA Section of \u2018Work in Progress\u2019 by James Joyce\u201d, otherwise empty<\/li>\n\n\n\n
              • 64 long sheets proofs of a Joyce biography, as yet unidentified<\/li>\n\n\n\n
              • 1 sheet: Sonnet \u00e0 Trieste (by \u201cTerenzio\u201d?)<\/li>\n\n\n\n
              • 1 folder containing: \u201cPartes Extra Partes: Peccata Iuventutis Meae\u201d Anonymous [Jean Schoonbroodt]<\/li>\n\n\n\n
              • 1 sheet typed, an article on Joyce, beginning with \u201cThe themes of disappointment and betrayal\u2026\u201d<\/li>\n<\/ul>\n<\/details>\n\n\n\n
                3.2. Music<\/em><\/strong><\/summary>\n
                  \n
                • 3 sets of sheet music: 3 poems from Chamber Music (III: \u201cAt that hour\u201d, XXVIII: \u201cGentle Lady\u201d, XXXI: \u201cO, it was out by Donnycarney\u201d) music by G. Molyneux Palmer, handwritten<\/li>\n\n\n\n
                • 1 piece of sheet music: Alessandro Scarlatti; \u201cAll\u2019 acquisto di gloria e di fama\u2026\u201d, handwritten<\/li>\n\n\n\n
                • 1 envelope [for glasses]: \u201cOptiker Koch \u2026Z\u00fcrich Bahnhofstrasse\u201d containing 58 small sheets, probably in Giorgio\u2019s hand, mostly recto and verso (the lyrics of songs in various languages)<\/li>\n<\/ul>\n<\/details>\n\n\n\n
                  3.3. Legal<\/em><\/strong><\/summary>\n
                    \n
                  • 1 \u201cDemande de visa de sortie de France\u201d: French visa form filled in in Joyce\u2019s hand (1920)<\/li>\n\n\n\n
                  • 1 half sheet, [attachment to] \u201cCopy of Contract between James Joyce & Rhein Verlag\u201d<\/li>\n\n\n\n
                  • 1 reprint from transition: Injunction Joyce vs Samuel Roth and Two Worlds Publishing Co. (37th Dec. [sic] 1928)<\/li>\n\n\n\n
                  • 1 official copy (with seal) Italian legal papers (9 Gugnio 1931)<\/li>\n\n\n\n
                  • 3 bound sheets legal document in Italian: \u201cCancellatione lista di leva, al Signor Giorgio di James Joyce, Trieste\u201d (carbon copy, first sheet is a legal confirmation of the copy\u2019s authenticity, 9.6.1931)<\/li>\n\n\n\n
                  • 1 marriage certificate, 4.7.1931<\/li>\n\n\n\n
                  • 2 copies of last will and testament, 5.8.1931<\/li>\n\n\n\n
                  • 1 Nora\u2019s French ID (\u201cCarte de circulation temporaire, \u00e0 l\u2019exclusion de la zone avanc\u00e9e\u201d, 25.1.\u201325.2.1940)<\/li>\n\n\n\n
                  • 1 Joyce\u2019s French ID (\u201cCarte de circulation temporaire, \u00e0 l\u2019exclusion de la zone avanc\u00e9e\u201d, 25.1.\u201325.2.1940)<\/li>\n\n\n\n
                  • 1 burial certificate, 15 January 1941 (with an empty form: \u201cAuftrag Bepflanzung und Grabunterhalt\u201d, and envelope)<\/li>\n\n\n\n
                  • 2 bound sheets Vormundschaftsbeh\u00f6rde der Stadt Z\u00fcrich, Protokollauszug, 17 Oct 1941<\/li>\n\n\n\n
                  • 3 different legal papers (plus 1 copy of one of them): Monro and Harriet Shaw Weaver vs Nora, Giorgio and Stephen Joyce, 1942<\/li>\n\n\n\n
                  • 1 Monro, Saw & Co. letter to Giorgio, 20.1.1942 (incl. \u201cliste des frais pendant la maladie et la mort de M. Joyce)<\/li>\n\n\n\n
                  • 1 procuration (signed Nora Joyce 29.12.1950 Z\u00fcrich)<\/li>\n\n\n\n
                  • 1 Finanzdirektion des Kantons Z\u00fcrich, Verf\u00fcgung: Erbschaftssteuerfreie Verlassenschaft, 4.2.1954<\/li>\n<\/ul>\n<\/details>\n\n\n\n
                    3.4. Medical<\/strong><\/em><\/summary>\n
                      \n
                    • 5 sheets report on Lucia, given by Joyce and Paul L\u00e9on: \u201cAnamn\u00e8se de Mademoiselle JOYCE, Lucia, n\u00e9e en 1907\u201d (carbon copy)<\/li>\n\n\n\n
                    • 4 half-sheets medical reports (3 of them on stationery of \u201cKantonsspital Z\u00fcrich, Universit\u00e4ts-Augenklinik\u201d, written in pencil, including one envelope from the clinic with \u201cBest\u00e4tigung\u201d typed on it<\/li>\n\n\n\n
                    • 1 medical report on Joyce\u2019s eyes (carbon copies, in triplicate)<\/li>\n<\/ul>\n<\/details>\n\n\n\n
                      3.5. Business<\/em><\/strong><\/summary>\n
                        \n
                      • 1 sheet agreement between JJ and Shakespeare & Co. (typed, signed by Joyce and Sylvia Beach, 10.3.1927)<\/li>\n\n\n\n
                      • 2 small sheets blue paper (12 x 8.5 cm), with imprint of Shakespeare and Company, adresses of Daniel Brody, Herbert S. Gorman, et al. in Sylvia Beach\u2019s hand<\/li>\n\n\n\n
                      • 1 cash account Monro, Saw & Co, 31 March 1931<\/li>\n\n\n\n
                      • 5 sheets Jonathan Cape Limited Royalty Reports, 31.12.39<\/li>\n\n\n\n
                      • 1 contract (in Joyce\u2019s hand), 6 June 1940 Gens de Dublin Editorial Incilta; verso: pencil note in Stephen\u2019s hand: \u201cDear Nonna, BREAKFAST AT 8:30 A:M with cold milk please! Stephen\u201d<\/li>\n\n\n\n
                      • 1 Worthington Evans Daunay & Co., letter to Nora Joyce, 17 June 1942<\/li>\n\n\n\n
                      • 7 sheets Notice of Sale of Books and Mss. left by Joyce, \u201cLa Hune\u201d, 25 Oct 1949 (carbon copy)<\/li>\n\n\n\n
                      • 1 receipt: Re\u00e7u de Madame Joyce B.P.F. 100.\u2013<\/li>\n\n\n\n
                      • 1 Lloyds Cheque Fr 50 (signed James Joyce, \u201c\u00e0 l\u2019ordre de George Joyce\u201d)<\/li>\n<\/ul>\n<\/details>\n\n\n\n
                        3.6. Announcements \/ Events<\/em><\/strong><\/summary>\n
                          \n
                        • 3 sheets concert programme 27.10.1925 (in French, typed, recto and verso)<\/li>\n\n\n\n
                        • 1 card D\u00e9jeuner \u201cUlysse\u201d, menu card (signed), 27 juin 1927<\/li>\n\n\n\n
                        • 1 note St. Patrick\u2019s Day service in Paris 1931 (carbon copy, with a printed change-of-address note by the L\u00e9gation d\u2019Irlande attached)<\/li>\n\n\n\n
                        • 1 card invitation to lecture by Louis Gillet, \u201cJ. Joyce et l\u2019Italie\u201d, April 1937<\/li>\n\n\n\n
                        • 1 card invitation to a dance matin\u00e9e \u201cRythme et couleur\u201d, signed (in print) Lucia Joyce<\/li>\n\n\n\n
                        • 1 green sheet \u201cPhil the Fluter\u2019s Ball.\u201d Typed carbon copy with a handwritten note by Lucie L\u00e9on (concerning a St Patrick\u2019s Day)<\/li>\n\n\n\n
                        • 3 sheets humorous dialogue sketch for a musical evening with Giorgio<\/li>\n\n\n\n
                        • 1 programme James Joyce\/Hugh Leonard: Stephen D. Schauspielhaus Z\u00fcrich, Junifestwochen 1965<\/li>\n\n\n\n
                        • 1 programme First James Joyce Symposium, Dublin, June 15-16, 1967<\/li>\n\n\n\n
                        • 1 programme Second International James Joyce Symposium, Dublin, June 10-16, 1969<\/li>\n\n\n\n
                        • 1 poster Second International James Joyce Symposium, Dublin, June 10-16, 1969<\/li>\n\n\n\n
                        • 1 menu Z\u00fcrich James Joyce Pub<\/li>\n\n\n\n
                        • photocopies of Dan J. Schiff\u2019s set of postcards designed in Z\u00fcrich for the 1993 James Joyce Conference in California<\/li>\n<\/ul>\n<\/details>\n\n\n\n
                          3.7. Miscellaneous<\/em><\/strong><\/summary>\n
                            \n
                          • 19 visitors cards: \u201cMr James Joyce\u201d<\/li>\n\n\n\n
                          • 1 photo negative showing an installation in which a photo by Carola Giedion-Welcker was used<\/li>\n\n\n\n
                          • 2 picture maps: France and Italy<\/li>\n\n\n\n
                          • 1 envelope: \u201cVisiten-Karten-Druckplatte \u2018Nora Joyce\u2019\u201d, containing said item<\/li>\n<\/ul>\n<\/details>\n<\/details>\n\n\n\n
                            4. BOOKS AND JOURNALS<\/strong><\/summary>\n
                              \n
                            • Anna Livia Plurabelle<\/em>. First edition. With a preface by Padraig Colum. New York: Crosby Gaige, 1928. Copy No. 9. Signed \u201cJames Joyce\u201d. With a blue-framed half label \u201cGeorges Joyce\u201d stuck on inside of cover. (Slocum & Cahoon, A 32)<\/li>\n\n\n\n
                            • Collected Poems.<\/em> First edition. New York: The Black Sun Press, 1936. Signed \u201cTo Giorgio, Helen and Stevie \/Babbo \u2013 nonno \/ Paris 2 March 1937. (Slocum & Cahoon, A 44)<\/li>\n\n\n\n
                            • Collected Poems.<\/em> First edition. New York: The Black Sun Press, 1936. Copy no. 14 [out of 50] Signed on frontispiece (Augustus John Portrait). With gilt slip case. (Slocum & Cahoon, A 44)<\/li>\n\n\n\n
                            • Pomes Penyeach.<\/em> Paris: Shakespeare & Co, 1927. Signed \u201c A Giorgio \/ Babbo \/ Parigi \/ primavera 1928) (Slocum & Cahoon, A 24)<\/li>\n\n\n\n
                            • Pomes Penyeach.<\/em> Paris: Shakespeare & Co, 1927. With a blue-framed half-label \u201cGeorges Joyce\u201d stuck on inside of cover. (Slocum & Cahoon, A 24)<\/li>\n\n\n\n
                            • Pomes Penyeach.<\/em> Sylvia Beach, Princeton University Press, 1931. With a blue-framed half-label \u201cGeorges Joyce\u201d stuck on inside of cover. (Slocum & Cahoon, A 24)<\/li>\n\n\n\n
                            • Pomes Penyeach.<\/em> Typed. Hand bound in blue cardboard; \u201cPomes Penyeach by James Joyce\u201d written in ink on front cover.<\/li>\n\n\n\n
                            • Pomes Penyeach.<\/em> First English edition printed in England. London: Faber & Faber, 1933 (signed \u201cA Giorgio ed Elena Babbo li 12 marzo 1933 Parigi) (Slocum & Cahoon, A 28)<\/li>\n\n\n\n
                            • Introducing James Joyce<\/em>. A selection of Joyce\u2019s prose with an introductory note by T. S. Eliot. 5th impression. London: Faber & Faber, October 1945. With a visitor\u2019s card printed \u201cFrau Gladys Vautier\u201d, handwritten \u201cwith fond remembrance\u201d, and 2 notes \u201cFrom Messrs Faber & Faber\u201d (printed) \/ \u201cWith the compliments of Mr. T. S. Eliot\u201d (typed)<\/li>\n\n\n\n
                            • Die F\u00e4hre<\/em>, Jahrgang 1 (1946) Heft 6: James Joyce, \u201cAnna Livia\u201d. 337-340.<\/li>\n\n\n\n
                            • Two Essays.<\/em> \u201cA Forgotten Aspect of the University Question\u201d by F.J.C. Skeffington, and \u201cThe Day of the Rabblement\u201d by James Joyce. With a dedication \u201ca mio figlio Giorgio il giorno del suo ventunesimo compleanno, li 27 luglio 1926 \/ Parigi James Joyce<\/li>\n\n\n\n
                            • Neue Schweizer Rundschau<\/em>, Heft 10, Februar 1941. Armin Kesser: \u201cJames Joyce\u201d, 628-635.<\/li>\n\n\n\n
                            • Recollections of James Joyce by his brother Stanislaus Joyce<\/em>, 1950; copy no 458<\/li>\n\n\n\n
                            • Brody, Henri, Tamberlinck. Notice biographique.<\/em> A magazine. No date (with two address notes in Sylvia Beach\u2019s hand).<\/li>\n\n\n\n
                            • Jolas, Maria; Colum, Padraig, eds. Pastimes of James Joyce<\/em>. New York: Joyce Memorial Fund Committee, 1941. Copy No. 28, signed by Maria Jolas, Padraig Colum and Jo Davidson. With \u201cJolas\u201d written in pencil (most probably in Jolas\u2019s hand) inside of cover. (broken spine)<\/li>\n\n\n\n
                            • Revue de Paris<\/em> 46 (September 1939) 17. Containing Georges Pelorson, \u201cJoyce et le Livre de l\u2019Homme\u201d. 227-235.<\/li>\n\n\n\n
                            • Envoy. A Review of Literature & Art.<\/em> James Joyce Special Number. 5 (April 1951) 17.<\/li>\n\n\n\n
                            • Akzente<\/em>. Zeitschrift f\u00fcr Dichtung. 8. Jahrgang. 2\/1961 (April).<\/li>\n\n\n\n
                            • Ellmann, Richard. \u201cThe Backgrounds of Ulysses\u201d. Offprint from The Sewanee Review, XVI (Summer 1954) 3. With a dedication on the first page: \u201cTo George and Asta Joyce with gratitude and in fond recollection of our annual visits in Z\u00fcrich Dick Ellmann\u201d.<\/li>\n\n\n\n
                            • Ellmann, Richard. \u201cThe Limits of Joyce\u2019s Naturalism\u201d. Offprint from The Sewanee Review (1955). With a dedication on the first page: \u201cTo George Joyce with kindest regards RE\u201d.<\/li>\n\n\n\n
                            • The University of Buffalo Studies<\/em>. 22.1 (April 1955). The Personal Library of James Joyce. A Descriptive Bibliography by Thomas Conolly.<\/li>\n\n\n\n
                            • A Wake Newslitter.<\/em> New Series. 6 issues (vol. III, nos. 3,4,5; vol. IV, nos. 1,5,6).<\/li>\n\n\n\n
                            • Zumsteg, Hulda. Aus meinem Leben.<\/em> Privatdruck, 1970. With a dedication on the title page: \u201cIn lieber alter treuer herzlicher Verbundenheit zum Andenken gewidmet an Madame Asta und George Joyce von Frau Hulda Zumsteg. Z\u00fcrich, 12. November 1970.\u201d<\/li>\n\n\n\n
                            • Hebald<\/em>. With a foreword by John Ciardi. Brochure of Milton Hebald\u2019s work, with photographs. New York: Nordness Gallery (ca. 1964).<\/li>\n\n\n\n
                            • The James Joyce Review<\/em>. Vol. I, no. 2; June 16, 1957. With essays by Adaline Glasheen, William White, and Ruth von Phul, as well as notes and reviews.<\/li>\n<\/ul>\n<\/details>\n\n\n\n
                              5. NEWSPAPER CLIPPINGS<\/strong><\/summary>\n
                                \n
                              • 1 folder ranging from 1940-1949 including obituary notices<\/li>\n\n\n\n
                              • 1 folder with articles rainging from 1957 \u2013 2000 (mainly late 1960s and the early 1990s)<\/li>\n<\/ul>\n<\/details>\n\n\n\n
                                6. PHOTOGRAPHS<\/strong><\/summary>\n
                                  \n
                                • 14 James Joyce<\/li>\n\n\n\n
                                • 1 James Joyce in graduation robes, signed \u201cJames Joyce 31.xi.1930[?]\u201d<\/li>\n\n\n\n
                                • 1 James Joyce + Giorgio Joyce am Strand<\/li>\n\n\n\n
                                • 1 James Joyce + Eugene Jolas (photo: Gis\u00e8le freund, Paris 1938 (framed)<\/li>\n\n\n\n
                                • 1 James Joyce + Paul L\u00e9on<\/li>\n\n\n\n
                                • 1 James Joyce + ? (looks like a younger version of Paul L\u00e9on\u2026)<\/li>\n\n\n\n
                                • 4 photos (with various people) cut out from a publication<\/li>\n\n\n\n
                                • 1 photo of Joyce portrait by Jacques-Emile Blanche<\/li>\n\n\n\n
                                • 2 Nora Joyce<\/li>\n\n\n\n
                                • 1 Giorgio Joyce<\/li>\n\n\n\n
                                • 1 a sister of Joyce\u2019s (?)<\/li>\n\n\n\n
                                • 3 + 1 Stephen J. Joyce, 1 of them in duplicate<\/li>\n\n\n\n
                                • 1 Lucia Joyce, photo by Berenice Abbot<\/li>\n\n\n\n
                                • 1 Lucia Joyce as a dancer, photo by Berenice Abbot (cf Shloss, 164)<\/li>\n\n\n\n
                                • 1 b\/w photograph of a painted portrait of Georg Goyert<\/li>\n\n\n\n
                                • 1 Milton Hebald\u2019s statue of Joyce, photo: Rugoni, Firenze (1 photo signed by the artist)<\/li>\n\n\n\n
                                • 1 Milton Hebald, study of James Joyce, photograph by Geoffrey Clements, NY, in 2 copies<\/li>\n\n\n\n
                                • 1 Milton Hebald\u2019s statue of Joyce, without walking-stick [pre-cast?], in 4 copies<\/li>\n\n\n\n
                                • 1 inauguration of the honorary grave at Fluntern cemetery, 1966, in 5 copies, b\/w, one of them in a frame<\/li>\n\n\n\n
                                • 4 colour prints of the honorary grave inauguration 1966 at Fluntern cemetery<\/li>\n\n\n\n
                                • 2 Joyce statue at Fluntern cemetery, 1 photo by Andreas Wolfensberger, Zurich<\/li>\n\n\n\n
                                • 1 four people in a toy plane<\/li>\n\n\n\n
                                • 3 death mask of James Joyce<\/li>\n\n\n\n
                                • 16 James Joyce\u2019s funeral on Fluntern cemetery (photos: Theo Frey)<\/li>\n\n\n\n
                                • 3 headstone of James Joyce<\/li>\n<\/ul>\n<\/details>\n\n\n\n
                                  7. PICTURES<\/strong><\/summary>\n
                                    \n
                                  • 1 reproduction of a Joyce portrait by Augustus John, 1930. Mounted and gilt-framed: 49 x 62 cm.<\/li>\n\n\n\n
                                  • 1 \u2018Joyce\u2019 coat of arms: \u201cmors aut honorabilis vita\u201d \u2013 \u201cex libris Joyce post mortem\u201d, 10.4 x 14.5 cm; mounted and framed: 22.6 x 28.5 cm.<\/li>\n\n\n\n
                                  • 1 textile picture with embroidered rose (gold and silver thread on pink satin). 10 x 15 cm; mounted with green edge, framed: 18.5 x 24.5 cm.<\/li>\n<\/ul>\n<\/details>\n\n\n\n
                                    8. BRONZE CASTS<\/strong><\/summary>\n
                                      \n
                                    • 1 bronze cast of James Joyce\u2019s death mask<\/li>\n\n\n\n
                                    • 1 bronze miniature replica of Milton Hebald\u2019s statue for Joyce\u2019s grave on Fluntern cemetery. Height: 44 cm. No V\/20<\/li>\n<\/ul>\n<\/details>\n<\/div>\n<\/div>\n","protected":false},"excerpt":{"rendered":"

                                      Parts of the Hans E. Jahnke Bequest at the Zurich James Joyce Foundation (i.e. the letters by Joyce) can be viewed online at the National Library of Ireland. The contents of the Hans E. Jahnke Bequest to the Zurich James Joyce Foundation of 31 March 2006 are listed below (download PDF).<\/p>","protected":false},"author":4,"featured_media":0,"parent":306,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"wp-custom-template-one-column","meta":{"_acf_changed":false,"footnotes":""},"class_list":["post-4053","page","type-page","status-publish","hentry"],"acf":[],"_links":{"self":[{"href":"https:\/\/joycefoundation.ch\/de\/wp-json\/wp\/v2\/pages\/4053","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/joycefoundation.ch\/de\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/joycefoundation.ch\/de\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/joycefoundation.ch\/de\/wp-json\/wp\/v2\/users\/4"}],"replies":[{"embeddable":true,"href":"https:\/\/joycefoundation.ch\/de\/wp-json\/wp\/v2\/comments?post=4053"}],"version-history":[{"count":37,"href":"https:\/\/joycefoundation.ch\/de\/wp-json\/wp\/v2\/pages\/4053\/revisions"}],"predecessor-version":[{"id":4113,"href":"https:\/\/joycefoundation.ch\/de\/wp-json\/wp\/v2\/pages\/4053\/revisions\/4113"}],"up":[{"embeddable":true,"href":"https:\/\/joycefoundation.ch\/de\/wp-json\/wp\/v2\/pages\/306"}],"wp:attachment":[{"href":"https:\/\/joycefoundation.ch\/de\/wp-json\/wp\/v2\/media?parent=4053"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}